Monday, April 23, 2012
Monday, April 16, 2012
Q: Hello Mr. Waller. Can you give us information on where
you are from and maybe some background information on you and your family?
A: Well, I was born. May 21, 1904 in Harlem, New York. I was
born into a family that consisted of many fairly well established musicians. My
grand-father was a very well known violinist and my mother was one of my
church's organists when I was young. My father on the other hand, was a
preacher who wasn't to fond of my love for music. My father hoped that I would
some day follow in his footsteps and become a preacher just like him. In spite
of his plans for me, I had other plans for myself. I wanted to play music.
Music was and still is my passion.
My mother died when I was a young man and at the start of my
career. She meant the world to me. She also was my first organ teacher. She
taught me how to play organ when I was about 5. She was one of the early
inspirations that I had when I was younger. It was a hard time for me when she
died, but that helped me in writing my music.
Q: What events happened early in your life that inspired you
to get involved in the arts?
A: When I was younger, my mother played the organ at my
church. I often times watched her and was really inspired by her abilities to
play music. She was one of the main reasons I play music now. Not too long
after my mother began to teach me how to play the organ, I began to play at my
church.At the age of 15, I was then introduced to the position to be able to
play at the Harlem Silent Movie Theater. This was my first paying gig. I
received 23 dollars a week. Then, I thought that was "real" money.
Once I realized how much money musicians were able to make from little things
like that, it made me want to take my career to another level. (Blue)
When I was younger, my father took me to see Paderewski in
concert. At that moment, I was inspired but at the same time my father was
thinking that it would be nearly impossible for a young African-American male
in the early 1900s to play classical music. I believed I could do it, but in
the end, I played what I enjoyed the most, which was jazz music. (Popa )
Q: How did mentors and other influential people in your life
help you to cultivate your talents and make you who you are today?
A: A lot of my mentors are in the music world. One of the
main influences I've had was my mother. She was the one who initially
introduced me to the music world. I love her for that. Also my secondary main
influence was my piano teacher, James P. Johnson. Mr. Johnson influenced me at
an early age. It was his song Carolina Shout that won me a piano competition
when I was 15 years old. Another one of my mentors actually happen to be Art
Tatum. He was a rue inspiration to me. Whenever I was playing in a bar or club
and Tatum would walk in, I would say "I play piano, but God is in the
house tonight!" These people inspired me to be the musician I am today.
They really set a great example for me. I really appreciate their hard work and
setting a high bar for me to meet.
Q: What was the art of music like when you first entered the
scene?
A: At the time when I made my big break in the music
industry, the Harlem Renaissance was on the verge of ending, and the Great
Depression was ending, so at that time period I was in competition with a lot
of other musicians that had hopes of being a great musician. That was the time
where I feel I worked the hardest in my whole career. I did everything I could
to get out into the music world. But, during that time, there was lots of great
pianists, vocalists, poets and many more. In Harlem, the whole African-American
community wanted to show that our people have talent to offer to the world and
that we're just as talented as any Caucasian. During that time period, jazz
music then became swing music, which helped revived the country.
Q: How did the different cultural, economic and political
situations impact your music?
A: As far as cultural situations, there was major
differences between the culture of African-Americans and the culture of
Caucasians. Caucasians never really listened to jazz or blues music. During
that time period anything that was made by African Americans was...I guess you
could say, "overlooked". Then when the Great Depression hit in the
1920s, the nation began to come together as one and support one another.
Economic situations as i mentioned were not as good as I personally or many
others would have wanted. Families struggled to survive. Family owned
businesses closed down due to the economy going down hill. My family suffered,
but fortunately we weren't affected to bad by the Depression. Politically, the
nation was just trying to rebuild. It was hard but we made it through.
Q: What were your main accomplishments and the methods you
used in your art?
A: I have performed with some of the worlds greatest jazz
performers such as Bessie Smith and Louis Armstrong. There's many more that I
have had the opportunity to work with.
Q: What were the key opportunities you had that led to your
breakthrough in the arts and life in general?
A: My big break which changed my whole life was when I was
performing at a party that George Gershwin threw in 1934. There was an
executive of Victor Records at the party who signed me to the label. From that
point on, my career skyrocketed and I went from performing locally to
performing nationally. From New York to New Orleans to Italy to France and many
more. I believe I was blessed to experience the things I have experienced in
life. Whether good or bad, because it made me who I am today.
Q: What hardships did you have to overcome in order to be an
artist?
A: I don't really want to go into detail about the things
that I had to overcome to become who I am today. In a quick summary, I did have
a major drinking problem and I overcame it. It took a lot of hard work, but I
knew what that I needed to do it in order to start to live my life healthier.
Q: Who are some people you admire and why?
A: My main admiration would have to be my mother. She was a
strong, courageous, wonderful woman that loved me and did the best she could to
raise me up the right way. My mother played an important part in my music
career. Honestly, if she hadn't taught me the basics of music, I have no clue
if I would be playing music like I am today. Another person I admire is Mr. Johnson.
He was an outstanding musician, teacher and person. He taught me everything I
needed to know in order to succeed in this music industry. He was a mentor to
me. He gave me advice on what to do if I didn't know what decision to make
musically. Art Tatum, is really another person I really admire. He was an
amazing musician as well. I looked up to him and wanted to learn from him. He
has really impacted my life in a positive way. There are many more people that
I admire but those are the main ones I really admire.
Q: What personal stories best illustrate how you became
successful in the arts?
A: Like I previously stated, the best moment in my life that
led to a drastic change in my life was when I was signed to Victor Records.
Well thanks for your time Mr. Waller. Have a wonderful day.
Cites
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<http://www.1920s-fashion-and-music.com/1920s-music.html>.
Beckford, Avil. "The Invisible Mentor." Fats
Waller. N.p., 26 oct 2011. Web. 1 Mar 2012. <http://theinvisiblementor.com/tag/fats-waller/>.
. Big Band Library. N.p., 2004. Web. 1 Mar 2012.
<http://www.bigbandlibrary.com/fatswaller.html>.
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Machlin, Paul. "The Music of Fats Waller." Fats
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<http://newarkwww.rutgers.edu/ijs/fw/music.htm>.
Morrison, Nick. "npr music." Stride Piano:
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Pear, Nancy. Fats Waller. N.p., 1992. Web. 1 Mar 2012.
<http://www.encyclopedia.com/topic/Fats_Waller.asp&xgt;.
Rowen, Beth, and Borgna Brunner. "Great days in
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<http://www.infoplease.com/spot/bhmharlem1.html>.
Sill, Jr, Harold. Misbehavin' With Fats. Massachusetts:
Addison-Wesley, 1978. Print.
. "SOLID." Fats Waller. N.p., 1996. Web. 1 Mar
2012. <http://www.parabrisas.com/d_wallerf.php>.
. "The Great Depression." Fats Waller. N.p., n.d.
Web. 1 Mar 2012. <http://www.pbs.org/jazz/time/time_depression.htm>.
. Thomas "Fats" Waller. N.p., n.d. Web. 1 Mar
2012. <http://www.redhotjazz.com/fats.html>.
Waller, Maurice. Fats Waller. New York: A Division of
Macmillan Publishing Co., Inc., 1977. Print.
Friday, April 6, 2012
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